Michael Mitchell is pleased to note that "everything in this new THE NUTCRACKER is painted in accordance with long established techniques.

This Maynardville staging of TWELFTH NIGHT, “not just a trope-based comedy”, is set to evoke the dolce vita of vita of 1960s Italy.

"It's a story of redemption and forgiveness which drives the spirit of Christmas and deserves to be told clearly and cleanly," says Chrissie Cartwright.

Isabella Blair, a leading artist with the Cape Town City Ballet, finds each début role a welcome opportunity. "A new role is daunting at first, but it improves with familiarity," is how she sums it up. See her next as Alice/The White Queen in ALICE IN WONDERLAND.

ALICE IN WONDERLAND is an all-new work to be added to the repertoire in December this year, and there is more to justify this choice for the festive season  than one might think.

Intensity is what draws Emily Child & Nicholas Pauling back to Louis Viljoen’s world again and again.

In the current iteration of David Kramer's musical ORPHEUS McADOO, triple threat Shangaze plays Ernest Logan, a minstrel singer/musician.

Maina Gielgud is currently bringing her wealth of experience to bear on the talents of CBA ahead of the company’s staging of GISELLE.

THE GLASS MENAGERIE being a kind of dream-like memory of the narrator blurring the lines between truth and subjective recollection, is the ideal play for a personal exploration and adaptation shares Nico Scheepers.

Cool elegance and polished execution are hallmarks of Cape Town City Ballet's soloist Hannah Ward, and she is ready for SWAN LAKE.

Willowy Mia Coomber, one of Cape Ballet Africa's leading ballerinas, achieved what for many an aspiring young dancer is the stuff of dreams.

On the immediate horizon is Lonwabo Mose's role in May this year in CTO's vibrant staging of AIDA, in which he is cast as the malevolent High Priest Ramfis.

"The idea of getting the chance to spit out the words that Louis Viljoen has written is too good to pass on; it's all overwhelmingly exciting, and it doesn’t get better than that. I still pinch myself at the wild, beautiful ride of it all. I’m a lucky lady." - Jenny Stead, MRS. MITCHELL COMES TO TOWN.

The beautifully located ACT ONE is an excellent option for a pre-show meal, conveniently located upstairs at Theatre on the Bay.

A mellow conversation with an actor impersonating the iconic detective Hercule Poirot fits with the gracious ambience of the Mount Nelson.

Guests artist Jerome Barnes takes centre stage partnering Hannah Ward in GISELLE at the Artscape.

A conversation with Fred Abrahamse and Marcel Meyer, co-directors of TRIPTYCH, WOMEN AT WAR.

Jamie-Lee Money is the type of performer we highly appreciate and admire, the type who makes theatre happen.

Talking all things South African premiere of DEAR EVAN HANSEN with director, Greg Karvellas, and designer, Niall Griffin.

Sandi Dlangalala, who steps into the role of Freddy Eynsford-Hill in the current production of MY FAIR LADY, was born to entertain.