Steven Stead and the actors have truly managed to embrace the humour in Shakespeare’s TWELFTH NIGHT.

Fiona Ramsay's coruscating portrayal of operatic legend Callas is as vivid as the scarlet drapery of her diva's costume. She gives a volcanic performance in THE OPERA SINGER at the Baxter Theatre.

An absolutely exquisite night under the stars at Maynardville Open-Air Festival with the Cape Town Philharmonic Orchestra - a jazzy delight!

TOUCHÉ is a seamless fusion of song, dance and aerial spectacle, interwoven with Vanessa Harris’ direct, conspiratorial dialogue.

For those who already love CATS, it's return to South African stages will be like catnip. This staging is sleek and the musical numbers as impressive as always. I’m betting that those humans who worship our feline friends both at home and on social media will absolutely delight in this offering: It’s a rather meowvellous musical way to kick off the festive season.    

ALICE IN WONDERLAND surprises & confuses in equal parts. It’s lovely seeing Cape Town City Ballet play in the realm of non-classical ballet.

Marc Lottering’s latest character to get her own musical, Colleen the Cashier, is currently jiving up a vibe at the Baxter Theatre.

Butoh bursts on to the stage as if through a dense, impenetrable forest; indeed, undefinability is a characteristic of the style.

The ethereal elegance of GISELLE sweeps you along and amidst the all-round beautiful ballet performances you almost forget that this tale sees a heart-broken peasant forgive all from the grave. 

The creative team have breathe new life into a show that has over the years become a bit stale… the end result is a vibrant delight!

Shrewd social satire is cunningly blended with psychological insight (add humorous voyeurism for good measure) in THE VULGARIANS.

DIE EEN WAT BLY / THE ONE WHO STAYS presents a masterclass in ensemble storytelling and is a joy to experience.

Kramer’s musical ORPHEUS MCADOO is doing a return run at the Artscape Theatre to the joyful applause of thoroughly entertained audiences.

Samantha Carlisle definitely has stage presence and comes across as an endearing character in her solo play, MESSY.

Although THE TRAMP takes some liberties with the loves & tribulations at the centre of Chaplin’s lived experience, it charms & entertains.

At times playful and even lighthearted, PURPOSE allows the audience a glimpse into the life of a young man fighting his destiny.

You can expect stellar performances and dancers who move beautifully with sultry Fosse-fabulousness in CHICAGO at the Artscape.

Overall the story hits its emotional mark and one leaves the theatre heart-bruised and contemplative.

Melancholy & nostalgia meet in perfect harmony in SPEELGOED VAN GLAS, an Afrikaans adaptation of Tennessee Williams’ ‘The Glass Menagerie’.

The production strikes the great balance between musical virtuosity and comedic lustre. It practically radiates the joy of the cast in their performance and that draws you in even more – the delight they exude is contagious.