Press: Lara Foot's multi-award winning Karoo Moose at the Baxter

September 8, 2016

Nearly a decade since its premiere and 15 top South African awards later, Lara Foot’s Karoo Moose returns to the stage with the original cast, who reprise their respective roles, having earned respect and acclaim in their own right over the years.

 

Following its unprecedented success  at the National Arts Festival recently, the multi-award-winning production now comes to the Baxter Golden Arrow Studio from 31 August to 24 September 7.00pm nightly.

 

Acclaimed playwright, director and producer, Foot was named the 2016 Featured Artist at the 43rd National Arts Festival this year, leading the charge on the Main programme, 80% of which was made up of work written, directed, curated or headlined by women.

 

The media at the National Arts Festival this year raved about the production. City Press said, “It’s the sort of thing everyone should see at least once in their lives but be prepared to be shaken, it will change you forever” while The Critter described it as “Magic that makes theatre real … it deserves its place in the canon of South African theatre.” Daily Maverick wrote, “… something extraordinary and having seen the show for the first time ever, this week, it is abundantly clear why it has the reputation that it has … thrilling and riveting. Truly out-of-of-this-world theatre.” Cape Argus also praised the production saying “… sensational production reunites the original, award-winning cast nine years on, and looks set to build significantly on its earlier international acclaim.” Daily Dispatch was also encouraging, “Foot’s ‘Karoo Moose’ makes its mark as a must-see iconic play” and “… if you ever do get the chance, go see it!”

 

The story of Karoo Moose is vividly brought to life by Zoleka Helesi, Mdu Kweyama, Bongile Mantsai, Thami Mbongo, Chuma Sopotela and Mfundo Tshazibane. The actors each perform a key character and double up to play multiple additional characters adding to the magic of the story and have won awards for their performances.

 

Among its impressive list of accolades, the production received the 2007 Aardvark Award for the Most Innovative Work, the 2008 Fleur du Cap Awards for Best Director and Best New Indigenous Production and the 2009 Naledi Awards for Best New South African Play, Best Production of a Straight Play and Best Director of a Play or Musical, as well as the 2010 Standard Bank Ovation Silver Award for theatre at the National Arts Festival.

 

Over the years the production has won the hearts and praise of audiences and critics locally and internationally. The Cape Argus gave it five stars and said, “Karoo Moose is a gem in South Africa’s theatre history. You leave the theatre with a tenderized heart and a song on your lips” and “Lara Foot’s magical piece has lost none of its brilliance and rewards upon repeated viewing.” Cue simply said, “See it, see it, see it - and be assured you will exit the venue richly rewarded” and “Foot confirms her place as one of South Africa’s most important contemporary playwrights and directors.” Next 48Hours said, “It is only one of the most acclaimed and beloved productions of recent times, and pretty much as close to a phenomenon as you can get in the area of locally-penned, locally-produced theatre productions.” 

 

Equal praise came from the UK press when the play made its UK debut at the Tricycle Theatre in London.  The Guardian called it “Fresh, immediate and often delightful” and Evening Standard describing it as “… funny and (fun), generously energetic yet also disturbing and soulful” and The Daily Telegraph saying, “… the basic narrative line is strong, and this deeply felt, constantly imaginative production richly rewards alert attention.”

 

Performed in English with isiXhosa, the story takes place in a remote and impoverished village in the Karoo, where the inhabitants are struggling to survive. A young girl called Thozama ends up killing a moose. But what is the moose doing there, and how did it get there?

 

The play was originally written as a film entitled No Fathers. Writer and director Lara tackles the disintegration of the family unit and the violation of innocence endured by so many South African children. The play cleverly and creatively combines African story-telling and magical realism.

 

Lara explains, “The themes of the story for me were bound up in the idea that the children in the village needed some kind of magical event to free them from abuse, neglect and poverty. Something magical was needed to break the cycle of violence.”

 

Herman van der Westhuizen, chairman of the Aardklop panel of judges described it best, “the theatre-style is fresh – African storytelling, song, music, visual theatre, rituals and healing theatre. It shifts the boundaries of traditional South African drama to a palette of magical realism, folk tale, story-telling and musical theatre.”

 

Set and lighting design is by Patrick Curtis, musical direction and lyrics by Bongile Mantsai, choreography by Mdu Kweyama and costumes and props by Koos Marais.

 

Karoo Moose runs at the Baxter Golden Arrow Studio from 31 August to 24 September at 7pm nightly. There is an age restriction of 13.

 

Booking is through Computicket on 0861 915 8000, online at www.computicket.com or at any Shoprite Checkers outlet. For corporate, block or school bookings, charities and fundraisers, contact Sharon Ward on 021 680 3962 or sharon.ward@uct.ac.za or Carmen Kearns on 021 680 3993, or email carmen.kearns@uct.ac.za.

 

 

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